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Subsequently, the partnership of Mc Laren and Westwood - which was underlined by the fact that both their names appeared on all labelling - showed collections in Paris and London with the thematic titles Savages (shown late 1981), Buffalo/Nostalgia Of Mud (shown spring 1982), Punkature (shown late 1982), Witches (shown early 1983) and Worlds End 1984 (later renamed Hypnos, shown late 1983).She dubbed the period 1981-85 "New Romantic" and 1988–91 as "The Pagan Years" during which "Vivienne's heroes changed from punks and ragamuffins to 'Tatler' girls wearing clothes that parodied the upper class".

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We are what we know." Westwood received an Honorary Doctorate from Heriot-Watt University in 2008, she was made a Doctor of Letters at the campus in Galashiels for her contribution to the industry and use of Scottish textiles One of Westwood’s first immersion into the fashion world began during the punk era, where she dabbled in both men’s and women’s design, specifically in uniforms which combined her forties dressmaking with touches of Savile Row.

She closely worked with Richard Branson on this collection.

In 2008, the Westwood-designed academic dresses for King's College London have been unveiled.

On the gowns, Westwood commented: "Through my reworking of the traditional robe I tried to link the past, the present and the future.

Westwood was one of the architects of the punk fashion phenomenon of the 1970s, saying "I was messianic about punk, seeing if one could put a spoke in the system in some way".

Westwood was the designer who often let her clothes speak for themselves, as independent designs and as her own statements of culture.Westwood came to public notice when she made clothes for Malcolm Mc Laren's boutique in the King's Road, which became known as "SEX".It was their ability to synthesise clothing and music that shaped the 1970s UK punk scene, dominated by Mc Laren's band, the Sex Pistols.After taking up a job in a factory and studying at a teacher-training college, she became a primary school teacher.During this period, she created her own jewellery, which she sold at a stall on Portobello Road.From 1985-87, Westwood took inspiration from the ballet Petrushka to design the mini-crini, an abbreviated version of the Victorian crinoline.

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