Annie clark dating david byrne german dating ipb

On first listen, the song could certainly pass as a breakup song."New York isn't New York without you love," goes one memorable line.

"I have lost a hero, I have lost a friend," goes another.

annie clark dating david byrne-2

(“I was getting a lot of tweets about that,” she says.

“People thought I was the hospital.”) David Byrne began his career as the captivating front man of Talking Heads before branching out into more or less everything: film, label-running, installation art, a disco musical about Imelda Marcos, blogging about science and bicycles.

The horns span all the way from concert-hall shading to percussive funk and pop.

There are good beats behind them, sequenced by producer John Congleton.

The song­writing-as-puzzle-solving approach is audible; the songs feel like complex, fine-tuned machines, full of interlocking parts and precise, surprising movements.

Over the long writing process, ideas bounced back and forth between Clark and Byrne, with parts getting transposed from computer to guitar to computer and new thoughts getting tacked on one by one.

Sitting together in a Soho studio, they’re still and thoughtful, like people whose thoughts under­go vigorous vetting before being released into the world.

“One of the things I like so much about David’s work,” says Clark, “is that he’s able to live at the intersection of the artful and the accessible, and I think that’s where I’ve tried to live as well.” Then she turns to Byrne to make sure she’s not misrepresenting his agenda: “Is that okay? This whole project stems from the ­second time they met—at the Housing Works bookstore downtown, where Björk was performing with the Brooklyn band Dirty ­Projectors.

“When we started playing around with lyrics,” Byrne says, ­“Annie pointed out that the sound of the brass is pretty big, and it kinda demands that whatever you’re talking about also be large.

Things with a certain scale, natural forces or humanity.” The giant in the title turns out to be television, the new friend Byrne ­describes trying to make on a track called “I Should Watch TV”—which he approaches as a self-improvement exercise, an effort to understand mass culture and, by extension, the masses.

The record, which has been in the works for two and a half years while both Byrne and St.

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